- WHY DID NOSTEAM.RO SHORTCUT SHOW UP ON MY DESKTOP HOW TO
- WHY DID NOSTEAM.RO SHORTCUT SHOW UP ON MY DESKTOP ISO
To improve our understanding of compositional elements, the first thing we need to do is go though a few examples and establish what the masses and lines in an image are. These terms will prove very useful once I start applying them together with actual compositional methods that will enable you to build your landscape shot.
This isn't a mathematical theory but rather a guideline to help develop one's thought process, and experience proves that it does work well in improving compositional ability. But in some cases, masses and lines are harder to distinguish, and things are open to debate. It's often quite easy to find the masses and lines in an image, especially after some practice and thought. Some have both, and these are usually the most interesting. What does differentiate them in terms of lines and masses in the composition? Does this selection of lines and masses make a significant difference between the two shots? Is one better composed than the other?įlakstad Fjord, The Lofoten Islands, Arctic Norway The lines are what usually connects the masses and enhances the interplay between them, but sometimes there's more to them: they can create a better sense of motion, flow and direction in an image, make it more dynamic and interesting.Ĭan you see masses and lines in this pair of images? They are prominent, distinguished and differentiated from their surroundings by having different features (such as color, shape or texture - a good example is the bushes in the image above, which are different to their surroundings in all these traits), and serve a big part in drawing in the viewer's eye. The masses are usually the discernable objects in the image, the composition's anchors, so to speak. Laguna Amarga, Torres Del Paine NP, ChileĪlright, but what kinds of abstract shapes are there? A helpful way of seeing it, is to divide the shapes into masses and lines.
WHY DID NOSTEAM.RO SHORTCUT SHOW UP ON MY DESKTOP ISO
Also, this method of thinking regards color not only as something beautiful that attracts the eye, but also as a property of a compositional component, which can differentiate it from its surroundings.Ĭan you make out the main components in this image? What properties do they have? In what way are they differentiated from their surroundings? What draws the eye? Is there any direction in the composition?Ĭanon 5D4, Canon 16-35 F2.8 MkIII, 30 sec, F13, ISO 200
This essentially means that I don't see the components as clouds, rocks, mountains and lakes, but as round or elongated, smooth or rough, detailed or lacking detail.
The shapes aren't only big or small, thick or thin: they have additional properties which change the way we treat them and place them in the image. a whole whose components work nicely, and in a balanced way, with each other. These shapes can then be used separately and together in order to make a balanced composition, i.e. To begin, I'd like to introduce a way of thinking of an image as consisting of different elements viewed as abstract shapes. What are the main elements in the shot? What aspects of it are balanced and pleasant to the eye?ĭJI Mavic II Pro, F8, 1/40 sec, ISO 100, vertical pano stitch.
WHY DID NOSTEAM.RO SHORTCUT SHOW UP ON MY DESKTOP HOW TO
I will try to apply a divide-and-conquer method in building my arguments about composition, first getting you to understand how I see compositional elements, and then, in future articles, explaining how to treat and use these elements to create a good composition.Ī bird's eye view of Ha Long Bay, Vietnam. But over my career as a nature photographer, I've found that a few key ideas can summarize a big part of the considerations one should keep in mind when trying to compose a landscape shot, and in this series, I will try to explain them in the clearest way possible using many examples and simple explanations. It's a complicated subject, and people have different views and opinions about it. When it comes to landscape photography, composition reigns supreme as the single most important factor that determines the appeal of a shot. What makes this composition appealing?ĭJI Mavic 2 Pro, F7.1, 1/30 sec, pano stitch, April 2021. An interesting viewpoint on Fagradalsfjall Volcano, Iceland, showing one of the vents in the center, sending rivers of lava in various directions.